F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is a sepia photograph, measuring 24.2 cm x 29.3 cm, of aeronautical inventor Lawrence Hargrave (left) and an unidentified man in Stanwell Park, on the coast between Sydney and Wollongong, New South Wales. They are assembling five box kites and joining them together, in preparation for using them to lift a man into ...
This black-and-white photograph shows several indentured Pacific Islander women planting sugar-cane stalks, or setts, in freshly made furrows in a large field at Bingera near Bundaberg, Queensland. The women, dressed in Western-style clothes, are following directly behind a horsedrawn plough that is worked by indentured ...
This is a black-and-white photograph taken in the grounds of the Melbourne Hospital on Christmas Day, 1900. It shows children from the hospital's diphtheria ward seated in a large wicker pushcart. Two nurses, one of whom holds an infant, stand behind the children. On the right of the photograph is a doctor. The photograph ...
This is a black-and-white photograph of the exterior of an exhibition home made of fibrolite (fibro-cement) that was constructed by James Hardie and Co Ltd (now known as James Hardie Industries). The street outside the home is crowded with people, some of whom have come to view the fibrolite home. The photograph measures ...
This is a watercolour measuring 15.7 cm x 24.4 cm, showing a mounted man herding a small group of cows past scattered native bush and trees, beneath the backdrop of the Mount Cole ranges. The artist, Duncan Cooper, included this painting as the fifteenth watercolour in his field sketchbook and inscribed the title 'Panorama ...
This is a watercolour measuring 16 cm x 24.5 cm showing the Victorian squatting run Challicum, from a south-westerly viewpoint. A team of four bullocks, pulling a single-axle wagon loaded with fuel and rough bush timber, is centred in front of a large forest. Two unidentified mountains or hills are on the horizon. The artist, ...
This is a pen, ink and crayon drawing, measuring 18.8 cm x 26.8 cm, of a man driving a horse and cart, on the back of which is a full water barrel. Buildings and trees are sketched in the background and at the top right is a set of signalling flagpoles. A handwritten inscription at the bottom of the picture reads: 'Aquarius ...
This is a black-and-white photograph showing large groups of poorly dressed indentured Pacific Islanders planting sugar cane on a plantation at Mackay in Queensland. Fourteen or more Pacific Islanders are manually placing sugar-cane cuttings at regular intervals in long furrows. Two mounted white men oversee their work ...
This is a black-and-white composite photograph, taken by Frank Hurley on the morning after the first battle of Passchendaele during the First World War, showing Australian infantry survivors laying out and placing blankets over dead soldiers around a blockhouse near the site of Zonnebeke Railway Station in Belgium on 12 ...
This is an oil painting measuring 70.5 cm x 90.3 cm, painted about 1855 by Edwin Stocqueler (1829-1895), showing men working on the Bendigo gold field in Victoria. The men are panning, puddling and cradling for gold on both sides of a stream in a tent-dotted valley. The valley is stark, with only a few trees remaining. ...
This is a sepia-toned photograph of Anzac Cove on the Gallipoli Peninsula in Turkey taken in early June 1915. Boats and barges are moored at several temporary pontoon piers. On the shore are many soldiers, a row of guns and several barrels. The photograph measures 17.1 cm x 27.7 cm.
This is an 1853 hand-coloured lithographic print, entitled 'Cradling. Forrest Creek'. It was made by Samuel Thomas Gill (1818-80) from a sketch done on the spot as he watched gold miners cradle for gold at Forest Creek (as it was more commonly spelled), in Victoria. One miner scoops water into the cradle, while the other ...
This is a gelatin silver-toned composite photograph measuring 32 cm x 25.5 cm, created by E.W. Searle. The Avro-10 Southern Sun plane piloted by Charles Ulm celebrated the arrival in Sydney of aviatrix Amy Johnson, the first woman to fly solo from England to Australia. Amy Johnson had crash landed in Brisbane and was flown ...
This is the front page of a program printed in rust-red-and-black letters on a beige background, with the words 'OFFICIAL PROGRAMME COMMEMORATING THE VISIT OF THE AUSTRALIAN CRICKETERS TO AMERICA 1913'. The text is set within decoration in the Art Nouveau style.
This is a watercolour measuring 15.8 cm x 24 cm showing the vast, yellowing Challicum plains with grassfires burning smokily in the distance. A flock of sheep is being watched by a shepherd and dog. The artist, Duncan Cooper, included this painting as the sixteenth watercolour in his field sketchbook and inscribed the title ...
This is a photograph, an albumen print measuring 13.6 cm x 20.1 cm, taken in the 1890s and showing three camels sitting outside commercial premises in Bayley Street, Coolgardie, Western Australia. The camels are not tethered or harnessed in any way. With the exception of a woman who appears to be patting a camel, all the ...
This is a 1915 black-and-white photograph measuring 10.3 cm x 7.3 cm, of John Simpson Kirkpatrick (1892-1915) and his donkey, taken at Gallipoli. The man and the donkey are standing on the sand in front of a pile of packing cases containing supplies for the troops.
This is an Aboriginal forehead ornament from the Northern Territory, believed to have been made in the early 1900s. It comprises more than 30 kangaroo teeth, each embedded in beeswax and then attached to a string. Lengths of string extend out at both ends of the ornament. The ornament is 45 cm long and 9.5 cm wide.
This is a black-and-white print that depicts a group of men taking refuge at the Immigrants' Home in Melbourne. The men, most of whom are seated on wooden benches, are shown in a large common room. They are occupied by an activity that may be the picking of oakum. Sacks either hang from or have been placed on high shelves. ...
This is a black-and-white wood engraving of a drawing dating from about 1870 by Samuel Calvert (1828-1913). Probably set near Adelaide, South Australia, it depicts a group of men and women in mid-Victorian dress, circled around a rough-hewn telegraph pole, in a bush setting. The pole is being levered, using ropes, into ...